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Funeral Speech Examples

Fourteen short funeral speeches, one to two minutes each, for people asked to say a few words rather than give the main eulogy: coworkers, neighbors, friends, grandchildren, and anyone reading on behalf of somebody who cannot. All names are invented; take whatever fits.
13 min readWritten by the Reposa team
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If you have sixty seconds

The shortest tributes are often the best ones at a funeral, because they are the only part of the service with nothing extra in them. Each of these is around a hundred and thirty words.

From a next-door neighbor

about 60 seconds spoken

I’m Ray Okonjo. I lived next door to Bill Hardesty for nineteen years.

Bill shoveled my driveway every snowfall for nineteen winters and never once mentioned it. I only found out it was him in the third year, because I happened to get up early.

He kept a spare key to our house and we kept one to his. When our daughter was born he brought over a car seat that he had already had installed, which is a thing I did not know was possible.

I don’t have a long speech. I only wanted his family to hear that the man you are burying was a good neighbor, which where I come from is one of the best things you can say about anybody.

Thank you.

From a daughter-in-law

about 50 seconds spoken

My name is Angela. I married Rosemary’s son twenty-two years ago, so I got her secondhand, which is the best way I can describe the luckiest thing that ever happened to me.

She never once introduced me as her daughter-in-law. It was always “my daughter Angela,” and then she would wait to see if anybody was going to argue about it.

She taught me to make her pie crust and she left one step out on purpose. She admitted that two Christmases ago and thought it was extremely funny.

Rosemary, I will figure out the step. Eventually.

From a supervisor, at a county road department

about 65 seconds spoken

I am Hector Salas. I managed Dennis at the county road department for eleven years, which means I signed his timesheets and he ran the crew.

Dennis knew that road system better than any map of it. He trained about thirty men. Four of them are supervisors now, and every one of them tells the same story about him standing out in the rain refusing to let anybody knock off early on a job that was almost finished.

He was owed a hundred and sixty hours of vacation he never took. I brought it up every year. He always said he would use it eventually.

Dennis, we should have made you take it. To your family, from all of us at the yard: we are so sorry.

From a coworker or a manager

A work tribute has one specific job, and it is not to praise the person’s productivity. It is to tell the family about the eight hours a day they never got to see. Say what the person was like to work beside, name one thing they did for other people, and then hand it back to the family.

From a colleague of twenty-six years

about 90 seconds spoken

Good afternoon. My name is Priscilla Vaughn and I worked alongside Marcia Delgado at Kelso Insurance for twenty-six years, in the same office, and for nine of those years the same desk cluster.

I want to tell the family something about the eight hours a day you did not see.

Marcia trained almost everybody who came through that office. She had a rule that a new person was not allowed to eat lunch alone during their first week, and she enforced it personally. Some of us were that new person once. All of us later became the one taking somebody else to lunch, because that is how it worked.

She kept a folder of thank-you notes from customers going back to 1999. She never showed it to anybody. We found it on Tuesday.

And she talked about her family constantly. Constantly. We all know what Nicole studied, and where Andre works, and that the dog is named Chestnut and is a menace. You were the whole subject of that office for twenty-six years.

Marcia, thank you for the lunches. We will keep the rule.

From the owner of the shop where he worked

about 80 seconds spoken

I am Tom Aldridge, and I owned the shop where Ernie Wolcott worked for thirty-four years.

I want to be careful not to turn a man’s job into the whole of his life, because Ernie would have hated that. He clocked out at four. He did not take work home. He told me once that a job is what pays for the interesting part of the week, and I have thought about that sentence for twenty years.

But he was extraordinary at it. He could hear a problem in an engine from across the bay. Customers asked for him by name and waited two weeks rather than take an earlier appointment with anybody else.

He also never made a new kid feel stupid. Not once in thirty-four years did I hear Ernie make somebody feel small for not knowing something. In a shop, that is rarer than talent.

To Denise and the boys: he talked about you every day. The interesting part of the week was you.

If several people from the workplace want to say something, send one. Collect the other stories in writing and give them to the family in a card instead. They will be read more carefully at the kitchen table than they would be from a lectern.

From a friend or a neighbor

As a friend you know things the family does not, and you are also a guest in their grief. The balance that works: tell one story that only you have, then turn and say something directly to the family about how the person spoke about them.

From a friend of forty-two years

about 70 seconds spoken

Gwen Marbury and I met in 1983 in a church nursery, both of us on rotation, both of us hiding from our husbands.

We talked on the phone nearly every day for forty-two years after that. I could not tell you what about. Nothing. Groceries. Weather. A show she wanted me to watch that I never watched.

I have learned this week that the daily nothing was the whole thing. Anybody can show up for the emergency. Gwen showed up for the Tuesdays.

To Michael and the girls: your mother knew every detail of your lives, and she was proud of you in a way that was frankly exhausting to be around.

I don’t know who I am going to call tomorrow. But I am not deleting the number.

From a friend since ninth grade

about 75 seconds spoken

I am Devon. Marcus and I were friends from the ninth grade, which is thirty-one years, which is longer than either of us has been anything else.

He was the one with the ideas. I was the one who pointed out that the idea was going to get us in trouble. He was right about maybe forty percent of them, which for him was a strong record.

He got me my first job. He drove eleven hours to my father’s funeral and eleven hours back the same weekend because he had work Monday, and he never mentioned it again.

We had a falling out in 2016 that lasted eight months and was entirely my fault. When I finally called him, he picked up on the second ring and said, “So anyway.” That was the whole conversation about it.

Marcus. So anyway.

From a grandchild

A grandchild speaking is often the moment the room lets go, so keep it short and concrete and do not try to be profound. If the speaker is a teenager, help them write it out in full and print it large. Standing up in front of two hundred adults is hard enough without improvising.

From a teenage granddaughter

about 60 seconds spoken

My name is Lily, and Ada Chen was my grandmother.

There are nine grandkids and I am the oldest, so I got the most years with her, which the others have already told me is unfair.

Grandma taught me to play mahjong when I was seven and she never once let me win. My mom asked her to, and she said no.

She came to everything. Band concerts. A middle school play where I had four lines. A swim meet in February in the rain. She sat through all of it and she never took a single picture, because she said she wanted to actually watch it.

Grandma, I actually watched too. I remember all of it.

From an adult grandson

about 80 seconds spoken

I am Nathan, the oldest of Roy Pelletier’s twelve grandchildren, which around here does not mean much except that I was the first one he took fishing.

My grandfather did not give advice. This drove some of us crazy. You would bring him a problem, and he would listen to the whole thing, and then he would say, “Well.” That was it. That was the counsel.

It took me until about thirty to work out that “well” meant: I heard you, I am not going to solve it for you, and I am not worried about you. Which turned out to be exactly what I needed almost every time.

He built the porch on my parents' house. He built the swing set four of us learned to fall off. He put a new roof on this church in 1994 with three other men, and he mentioned it exactly once, in 2011, and then apologized for bringing it up.

Grandpa. Well.

Graveside, reception, and celebration of life

These three are short for practical reasons. At the graveside people are standing outside. At a reception they are holding a plate. At a celebration of life the microphone is going to be passed to somebody else in a minute.

Opening remarks at the reception, given by a family member

about 60 seconds spoken

Thank you all for coming. For those who don’t know me, I am Karen, Doug’s oldest.

We are going to keep this part simple. There is food at the back, there is coffee that is stronger than it looks, and my uncle Ray has the photo albums on the table by the window and would love to be asked about them.

Dad did not want a formal program at this part of the day. He wanted people in a room, eating. So please stay as long as you like, tell us a story about him if you have one, and if you can, tell my mother.

Thank you for being here. It has meant more than we know how to say this week.

A word at the graveside, before people leave

about 45 seconds spoken

Before we go, I want to say one thing on behalf of the family.

Thank you for standing out here with us. It is cold, and the walk was long, and every one of you came anyway.

Elena would have counted the cars. She counted everything. She would have been very satisfied with this turnout, and she would have told us all about it the whole way home.

There is lunch at the Legion hall on Third Street. Please come. She would have been furious if anybody drove home hungry.

A toast at a celebration of life

about 40 seconds spoken

If you would raise a glass with me.

To Julian, who never met a rule about a jacket that he agreed with. Who took his coffee so sweet it was essentially a dessert. Who was late to everything except the airport, where he was inexplicably three hours early.

To the eleven years he ran that little theater on Bell Street, and to every person in this room who got put on a stage by him before they were ready.

To Julian.

A celebration of life usually has more speakers and less structure than a funeral, which is why a printed running order helps so much. The celebration of life program page shows how families sequence the open microphone so it does not run forty minutes long.

Reading on behalf of someone else

Two situations that come up in almost every family: a widow or widower who has written something they cannot deliver, and a relative too far away or too unwell to travel. In both cases your job is to be a clear voice and nothing more. Read what you were given, do not improve it, and do not add a preamble about how moving it is.

Reading a letter written by the widow

about 30 seconds, plus the letter

Good morning. My name is Faye Ostrander and I am Helen’s sister.

Helen wrote this and asked me to read it for her, because she was not sure she could get through it. I told her that was fine, because I am not sure I can either, so we will find out together.

[Read the letter exactly as written. Do not add to it, and do not explain it afterward.]

That was Helen’s. Thank you.

Reading a message from a brother who could not travel

about 60 seconds spoken

I have a message from Robert’s brother David, who is ninety-one and could not make the trip up from Florida. He asked me to read it word for word, and he was very specific about that.

“Bobby. You were the better ballplayer and I have never once admitted that out loud. I am sorry I am not there. I would have been there fifty years ago and I would have been there twenty years ago, and I want everybody in that room to know that it is only the airplane that stopped me. Save me a seat. Dave”

That is all of it. He asked me to sit down straight afterward, so I will.

The shape of a short speech

Every example above uses the same four moves. Fill them in and you have a tribute, whatever your relationship to the person was.

Four sentences, in order

  • Who you are and how you knew them · Name, relationship, how long. One sentence, no more.
  • One story, told with real detail · A day, a habit, a thing they said. Sixty to a hundred words.
  • One line about what it showed · Short. If the story worked, the room is already there.
  • One sentence to the family · Turn to the front row. Tell them how the person spoke about them.

That last move is the one people forget, and it is the one families remember. Everybody else in the room is grieving in general. The people in the front row are grieving in particular, and a sentence addressed to them is worth three paragraphs addressed to the ceiling.

What to leave out

Leave outSay insteadWhy
How hard it is for you to be standing up hereYour name and your relationshipThe room is already braced. Opening on your own difficulty makes everyone tighten up.
A summary of their whole lifeOne story from your corner of itThe eulogy covers the life. Repeating it makes the service feel twice as long.
Details of the illness or the accidentNothing, unless the family has asked for itIt is the family’s information to share, and it is rarely what they want the room dwelling on.
An inside joke only four people understandA joke about a habit everybody sawA laugh that lands with four people reads to the rest of the room as a closed door.
A long poem or a famous quotationOne line of theirs that you rememberA short tribute has no room to hand thirty seconds to someone else’s words.
Anything unresolved between you and themWhat they were good at, and what they gave peopleA funeral cannot settle it, and the attempt is remembered for years.

If you were asked this morning

This happens constantly. Somebody drops out, the officiant asks for a volunteer, or a family member realizes at breakfast that nobody from your side is speaking. Fifteen minutes is enough.

Find a quiet room. Write your name and relationship on the top line. Then write down the first thing you think of when you think of the person, and not the most important thing, the first thing. Build one paragraph on it. Add one sentence to the family. Read it out loud twice, and take the paper up with you.

Fill-in template: one minute

write in the blanks and read it exactly as it comes out

My name is ____, and ____ was my ____.

I knew him/her for ____ years, mostly through ____.

The thing I keep coming back to this week is this. [One thing that happened. A day, a place, something he or she said or did. Two or three sentences. Do not explain it, just say what happened.]

That was ____ all over. [One short line about what it showed.]

To [family names]: he/she talked about you constantly. [One true sentence about how the person spoke about their family.]

Thank you.

Read from the paper. Nobody expects a short tribute to be delivered from memory, and holding the page gives your hands something to do. If you want a longer version of this method with more time in it, how to write a eulogy takes about ninety minutes and produces a four-minute address.

Saying less, or saying no

Here is the part nobody tells people who have just been asked to speak: you are allowed to do less than you think. A ninety-second tribute is a complete contribution to a funeral. So is reading a scripture passage somebody else chose. So is not speaking at all.

If you know you cannot get through it, say so today rather than Saturday. The family can rearrange a running order easily on Wednesday and with difficulty an hour before the service. A version that works: I do not think I can get through it, and I do not want to leave you short on the day. Could I write something for someone else to read instead?

There are other ways to carry weight at a service that have nothing to do with a microphone. Greeting people at the door. Watching the youngest children so their parents can sit down. Driving an elderly relative. Being named as an honorary pallbearer. Running the reception so the family does not have to think about coffee. Funeral etiquette covers what guests and family are usually asked to do, and what to say at a funeral is for the receiving line, which most people find harder than the lectern.

If you do speak, tell the funeral director beforehand so your name goes into the running order correctly. Whoever is assembling the program will need it too, spelled the way you want it printed. The what to include in a funeral program page lists everything that has to be collected, and Reposa will lay the finished order of service out for you so the last-minute change to who is speaking does not mean rebuilding the whole booklet.

And if you have been asked for the main address rather than a short tribute, start with the eulogy examples: twelve complete ones, written out in full, for a parent, grandparent, spouse, sibling, adult child or friend.

Common questions

How long should a funeral speech be if I am not giving the eulogy?
One to two minutes, which is about 130 to 260 words. Short tributes are meant to sit beside the main eulogy, not compete with it. If three people each speak for five minutes, the service runs long and the room stops listening. When in doubt, write ninety seconds and deliver it well.
What is the difference between a eulogy and a funeral speech?
The eulogy is the main address about the person’s whole life, usually given by a close family member or the officiant. A funeral speech or tribute is shorter and narrower: one relationship, one or two stories, no attempt at a full account. If you were asked to say a few words, you were asked for a tribute.
Can I say no if I am asked to speak?
Yes, and people do it every day. Say it early and simply: I do not think I can get through it, but I would like to help another way. Offer to write something for someone else to read, or to greet people at the door. The family will be grateful for an early no and unsettled by a late one.
Is it acceptable to be funny at a funeral?
A warm, specific joke about the person is usually welcome. A performance is not. The test is whether the family would laugh, and whether the joke is at the person’s expense or in their honor. Keep it to one, put it early rather than at the end, and never make it about anyone else in the room.
Should I tell the funeral director that I am speaking?
Yes, before the service. They set the running order, the microphone, and whether the lectern has a light. Tell them your name as you want it read, roughly how long you will take, and where you would like to sit so you are not climbing over people. It takes one minute and removes most of what goes wrong.
What if I only found out this morning that I am speaking?
Use fifteen minutes and three sentences: who you are, one story about the person, and one line to the family. Write it on paper, read it twice out loud, and read it from the page at the lectern. A short, true tribute written that morning is better than any speech you could improvise.